What kind of bass does victor wooten play

It has a purple heart top and an ebony fingerboard with purple heart fret markers. It was the first fretless or 5-string Joe had ever built.

He got it right the first time. I've used this on many Flecktones recordings including "Flight of the Cosmic Hip It's a full watts I like it also because it's very very simple," Wooten says, at in this video.

Victor posts this image on his official site saying "On tour, in the studio, and in my iPhone, I use Peterson Strobe Tuners. They work great. You can set them for different types of tunings and Bass Amplifier Cabinets. I choose to endorse this company and have been using them now since the beginning of I usually use two 4x10 and two 1x15 speaker cabinets. Victor's feet are active using a custom foot pedal called MidiMix. It controls a unit called Sound Canvas made by Roland which allows him to play notes and keyboard type sounds.

It gets used on tunes like The Chase or Stomping Grounds. Not only is Victor the best bass player around, he has some awesome bass gear. His Fedora gear is mouth watering. Let's take a look at what gear and equipment has been seen in Victor Wooten's Bass Rig.

Click the gear images for more info and specs at Guitar Center and Amazon. Victor Wooten's main bass is this Fodera Monarch Deluxe. It's made of curly and rock maple, Honduras mahogany, and East Indian rosewood. Wooten's Yin-Yang basses are also made by Fodera Guitars.

Victor has a 5-string fretless, that was made by Joe Compito. It has a Mahogany body with a Purpleheart top. Joe also made a fretted 6 string for Victor. Victor Wooten picks 10 essential bass albums. Marcus Miller's top 5 tips for bassists. Bass legend Stanley Clarke on his early solo albums. Stu Hamm's top 5 tips for bassists. In most cases, you don't know what to say until you've listened to what has been said.

In music, it's the same. You need to listen very, very closely. You need to see how the music makes your body move. That will help you determine what is needed for the song. For me, what your body is feeling is called groove.

I say, first figure out what the groove is, and you do that by listening, not by thinking. People aren't going to dance just because the song is in a certain key. They're not going to move their body, they're not going to bop their head or clap their hands because of the key. They're going to do those things because of the feel of the song, the groove of the song, the rhythm of the song. That meant mining the minimalist, hypnotic ostinatos of Michael Henderson. To prepare for the gig at the Nashville venue 3rd and Lindsley, the band received recordings and charts and had one rehearsal.

I love that, because it invites the band in. Dave trusted us to provide him with quality support and inspiration. He comes from an older school of drumming that reminds me of playing with my brother Roy or Lenny White.